РОССИЙСКАЯ ГОСУДАРСТВЕННАЯ БИБЛИОТЕКА
ИНФОРМКУЛЬТУРА
КУЛЬТУРЫ
ОБСЕРВАТОРИЯ
ж у р н а л-о б о з р е н и е
Всем, кто
занимается
историей,
теорией или
современным
состоянием
отечественной
и зарубежной
культуры,
всем, кого
интересует
жизнь культуры
и искусства
в современном
мире, их события,
достижения,
проблемы
2014
4
Стр.1
СОДЕРЖАНИЕ
Состав Редакционного совета
Федоров Виктор Васильевич
председатель
(Российская государственная
библиотека)
Веденин Юрий Александрович
(Российский научно-исследовательский
институт
культурного и природного наследия)
Дианова Валентина Михайловна
(Санкт-Петербургский
государственный университет)
Дуков Евгений Викторович
(Государственный институт
искусствознания)
Егоров Владимир Константинович
(Российская академия народного
хозяйства и государственной службы
при Президенте РФ)
Зверева Галина Ивановна
(Российский государственный
гуманитарный университет)
Любимов Борис Николаевич
(Высшее театральное училище
им. М.С. Щепкина)
Орлова Эльна Александровна
(Государственная академия славянской
культуры)
Разлогов Кирилл Эмильевич
(Всероссийский государственный
университет кинематографии
им. С.А. Герасимова)
Рубинштейн Александр Яковлевич
(Институт экономики РАН)
Румянцев Олег Константинович
(Российский научно-исследовательский
институт культурного и природного
наследия)
Рязанова-Кларк Лара
(Эдинбургский университет,
Великобритания)
Сиповская Наталья Владимировна
(Государственный институт
искусствоведения)
Тихонова Людмила Николаевна
(Российская государственная
библиотека)
Ферингер Маргарет
(Центр литературных и культурных
исследований, Берлин, Федеративная
Республика Германия)
Флиер Андрей Яковлевич
(Московский гуманитарный
университет)
Фоменко Андрей Николаевич
(Санкт-Петербургское отделение
Российского института
культурологии)
Штейнер Евгений Семенович
(НИУ «Высшая школа экономики»,
Москва; Лондонский университет,
Великобритания)
© ФГБУ «Российская государственная
библиотека», 2014
2
4 НАСЛЕДИЕ
О.В. Жесткова. Анри Дюпоншель
и рождение романтического театрального декора ...................................... 66
И.И. Горбатова. Здесь жил Genius loci ......................................................... 74
4/2014
ОБСЕРВАТОРИЯ
КУЛЬТУРЫ
3 В ПРОСТРАНСТВЕ ИСКУССТВА
И КУЛЬТУРНОЙ ЖИЗНИ
in terris
Г.Ю. Литвинцева. Смеховая культура
Средневековья и антимир российского постмодернизма ............................. 42
явление
В.О. Петров. Семантика образа Смерти в сверхцикле «Мадригалы»
Джорджа Крама (к 85-летию композитора) ............................................... 49
Л.П. Беленький. Авторская песня как искусство доверительного общения.
К вопросу о понятии «жанр» ................................................................... 57
2
1 КОНТЕКСТ
А.С. Дриккер. Система ценностей и сумма технологий .....................................4
А.Ю. Шеманов. Антропология инклюзии: автономия или аутентичность? ...........9
М.В. Гришин. Французские структуралисты
Р. Барт и К. Леви-Стросс о японской культуре ............................................ 17
КУЛЬТУРНАЯ РЕАЛЬНОСТЬ
А.А. Пучковская. Концепт «геокультура» и его развитие в отечественной
гуманитаристике .................................................................................... 24
О.А. Кириллова. Танатохронотоп в кинотекстах Петербурга и Киева ............... 30
Т.Е. Савицкая. Открывая новую социально-культурную парадигму:
плюсы и минусы технологии дополненной реальности ................................ 34
Стр.2
Состав редакционной коллегии
В.А. Королёва. Забытые имена в истории музыкальной культуры
Дальнего Востока России конца XIX — первой трети ХХ века
(К 100-летию профессионального музыкального образования
в Хабаровске) ........................................................................................ 82
Главный редактор:
Лаптева Тамара Ильинична
Заместитель главного редактора:
Ветлицына Ирина Михайловна
Редакторы:
Гусейнова Нонна Михайловна
Обидин Александр Иванович
5 ИМЕНА. ПОРТРЕТЫ
П.В. Коротчикова. Ананда Кентиш Кумарасвами: «Индийцы никогда
не верили в искусство для искусства…» ................................................... 88
Н.Ю. Богатырёва. «Я верю в семиструнную гитару»:
к 80-летию Юрия Визбора ....................................................................... 95
Кураторы направлений:
Орлова Эльна Александровна
(Контекст. Культурная реальность)
Дуков Евгений Викторович
(В пространстве искусства
и культурной жизни)
Зверева Галина Ивановна
(Кафедра)
Дианова Валентина Михайловна
(Наследие)
Ответственный секретарь
Надежда Ткаченко
Дизайн макета
Виктор Малофеевский
6 КАФЕДРА
лекции по культурологии
О.А. Янутш. Культурологическая теория образования:
поле и задачи исследования .................................................................. 102
предзащита
А.А. Логинов. Фотография и визуальное восприятие: ключевые понятия
и исследовательские вопросы ............................................................... 107
Д.Г. Ломтев. Записные книжки Карла Вирта:
мастер музыкальных инструментов и мир его идей ................................... 112
Предпечатная подготовка
Цех предпечатной подготовки
Нач. цеха Тамара Медведева
Верстка Надежда Епифанова
Технический редактор Наталия Соловьева
Корректор: Ольга Герасимова,
Александр Макаров
Журнал зарегистрирован
Министерством Российской Федерации
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ПИ № 7716687 от 10 ноября 2003 г.
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НИЦ Информкультура РГБ
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ул.Воздвиженка, д. 3/5
Тел./факс 8(495)6958312
7 ORBIS LITTERARUM
А.Б. Шулындина. Метафизическая концепция Даниила Андреева
как философско-мировоззренческая система .......................................... 118
Email: LaptevaTI@rsl.ru
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Типография
8 СВЯЗЬ ВРЕМЕН
К.М. Товбин. Русский церковный раскол и образование «двух Россий».......... 130
С.В. Иванова. Метаморфозы российской традиции иконографии
Воскресения ....................................................................................... 138
4/2014
ОБСЕРВАТОРИЯ
КУЛЬТУРЫ
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Стр.3
CONTENTS
Editorial Council
Viktor Fedorov
Chairman
(Russian State Library, Moscow)
Valentina Dianova
(St. Petersburg State University)
Evgeny Dukov
(State Institute of Art Studies, Moscow)
Andrey Flier
(Russian Research Institute for Cultural
and Natural Heritage, Moscow)
Andrey Fomenko
(Russian Institute for Cultural Research,
St. Petersburg)
Boris Lyubimov
(Schepkin Higher Theatre School
(Institute), Moscow)
Elna Orlova
(State Academy of Slavic Culture,
Moscow)
Kirill Razlogov
(Gerasimov All-Russian State University
of Cinematography, Moscow)
Oleg Roumyantsev
(Russian Research Institute for Cultural
and Natural Heritage, Moscow)
Alexander Rubinstein
(Institute of Economics, Moscow)
Lara Ryazanova-Clarke
(University of Edinburgh,
United Kingdom)
Natalia Sipovskaya
(State Institute of Art Studies, Moscow)
Evgeny Steiner
(NRU ”Higher School of Economics”,
Moscow; University of London,
United Kingdom)
Lyudmila Tikhonova
(Russian State Library, Moscow)
Yuri Vedenin
(Russian Research Institute for
Cultural and Natural Heritage, Moscow)
Margarete Vöhringer
(Center for Literary and Cultural
Research, Germany)
Vladimir Yegorov
(Russian Presidential Academy of
National Economy and
Public Administration, Moscow)
Galina Zvereva
(Russian State University for
the Humanities, Moscow)
3 IN SPACE OF ART
AND CULTURAL LIFE
in terris
G. Litvintseva. Medieval Laughter Culture and the Anti-World of Russian
Postmodernism ....................................................................................... 42
phenomenon
V. Petrov. The Semantics of Death Image in “Madrigals”
Supercycle by George Crumb ......................................................................... 49
L. Belen’ky. Original Song as an Art of Confidential Communication:
To the Notion of Genre ............................................................................... 57
2
CULTURAL REALITY
A. Puchkovskaya. The Geo-Culture Concept and Its Development in the Russian
Humanities ........................................................................................... 24
O. Kirillova. Thanatochronotope in Cinematic Texts of St. Petersburg and Kiev .... 30
T. Savitskaya. Discovering the New Cultural Reality: Benefits and Drawbacks
of the Augmented Reality Technology ........................................................ 34
1 CONTEXT
A. Drikker. Value System and the Sum of Technologies .......................................4
A. Shemanov. Anthropology of Inclusion: Autonomy or Authenticity? ..................9
M. Grishin. French Structuralists Roland Barthes and Claude Lévi-Strauss on
Japanese Culture .................................................................................... 17
4
142
HERITAGE
O. Zhestkova. Henri Duponchel and the Birth of Romantic Theatrical Decor ........ 66
I. Gorbatova. There Was a Genius Loci .......................................................... 74
4/2014
ОБСЕРВАТОРИЯ
КУЛЬТУРЫ
Стр.142
Editorial Board
V. Koroleva. Desuete Names in the Musical Culture History of the Russian
Far East: The Khabarovsk Professional Musical Education from the End of
the 19th Century to the 1930s .................................................................. 82
Editor in Chief:
Tamara Lapteva
Deputy Editor
Irina Vetlitsyna
Editors
Nonna Guseynova
Alexander Obidin
5 NAMES. PORTRAITS
P. Korotchikova. Ananda Kentish Coomaraswamy: “The Indians Have Never
Believed in Art for Art...” ........................................................................ 88
N. Bogatyreva. “I Believe in Seven-String Guitar”: On the Occasion of
Yury Vizbor’s 80th birthday ....................................................................... 95
Sectionsʼ Special Advisers:
Elna Orlova
(Context, Cultural Reality)
Evgeny Dukov
(In Space of Art and Cultural Life)
Valentina Dianova
(Heritage)
Galina Zvereva
(Chair)
Board Secretary
Nadezhda Tkachenko
Layout design
Viktor Malofeevsky
6 CHAIR
lectures on cultural research
O. Yanutsh. Cultural Theory of Education, Its Research Area and Tasks .............. 102
before defending a thesis
A. Loginov. Photography and Visual Comprehension: Key Notions and Research
Issues ................................................................................................ 107
D. Lomtev. Karl Wirth’s Notebooks: The Musical-Instrument Maker and
His World of Ideas ................................................................................ 112
Certificate of the mass information media
registration
ПИ № 7716687, date 10.11.2003
Published since 2004
Founder
InformKultura Research and Information
Centre, Russian State Library
Publisher
Russian State Library
Address
7 ORBIS LITTERARUM
A. Shulyndina. Daniil Andreev’s Metaphysical Concept .................................. 118
Russia, 119019, Moscow,
Vozdvizhenka, 3/5
Tel./fax +7(495)6958312
Email: LaptevaTI@rsl.ru
Submitted texts and illustrations are
retained by the Editors
Any reprinting of the published materials
shall be agreed with the Editorial Board;
any use of the published texts is to be
accompanied by the reference to
the “Observatory of Culture” journal.
8 JOINT OF TIME
K. Tovbin. Russian Church Schism and the Formation of “Two Russias” .............. 130
S. Ivanova. Transformations of the Resurrection Iconography in Russia ............ 138
4/2014
ОБСЕРВАТОРИЯ
КУЛЬТУРЫ
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althome/_sitenav/root_frm.htm
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Стр.143
SUMMARIES
Value System and the Sum of Technologies (by Alexander Drikker) The fall of the Soviet empire is traditionally
referred to technological problems. However, it is possible to relate this unexpected downfall to degeneration of the
Soviet value system, which earlier produced the rise unprecedented in Russian history. Today in society and culture,
the main deficiency is in inspiring objectives that can response to the national character and mechanisms of their
achievement but not in technologies. The author discusses the ways and prospects of searching these values.
Key words: technology, values, Soviet value system, cultural cycles, national particularities.
Anthropology of Inclusion: Autonomy or Authenticity? (by Alexei Shemanov) provides a philosophical
analysis of the social constructionist substantiation of inclusion and social model of disability. The article also
considers the notion of psychological service for inclusive education participants using Herman P. Meininger’s
concept of normative anthropology that provides for structuring perspectives of delivering support to people
with disabilities as the analytical tool. The author approves Meyninger`s conclusions about the inadequacy of
normative anthropology of inclusion based on the ideal of autonomous personality. This ideal accepted by the
normative anthropology preserves the non-inclusive character regardless of what inclusion model is accepted for
people with disabilities – social (inclusion) or individual (integration). The structuring perspective for providing
care (as the normative anthropology) that draw on the ideal of authenticity is supported. The author emphasizes
importance of considering both cultural and embodied aspects of human existence while constructing the normative
anthropology of inclusion and related psychological services for its participants.
Key words: normative anthropology, autonomy, authenticity, culture, embodiment, inclusive education, persons
with disabilities, social model of disability, psychological service.
French Structuralists Roland Barthes and Claude L vi-Strauss on Japanese Culture (by Mikhail Grishin)
analyses views of these researchers on Japanese culture. They underlined the radical dissimilarity between Japanese
culture and cultures of the West or of continental Asia. The author reveals the mechanisms of constructing
images of Japan by Roland Barthes and Claude L vi-Strauss that were based on visual images of the Japanese
culture and translated texts.
Key words: Japan and the West, visual images of Japan, intercultural relations, Japanese culture uniqueness.
The Geo-Culture Concept and Its Development in the Russian Humanities (by Antonina Puchkovskaya) analyses
the interpretation of the geo-culture concept. The author addresses the notion of geo-culture as it was coined
by Immanuel Wallerstein, its fundamental aspects and evaluation by Russian researchers. The positive tendencies in
the productive use of this concept for description of contingent, world-systems processes of the present are revealed.
Key words: geo-culture, world-systems analysis, methodology, the Russian humanities, culturology, crosscultural
interactions, interdisciplinarity, multiculturalism.
Thanatochronotope in Cinematic Texts of St. Petersburg and Kiev (by Olga Kirillova) represents the author
coined notion of thanatochronotope, which is used for description of art works aesthetically, optically, and rhythmically
determined by the object-matter of death. The concept is applied to analysing the complex “representative
urban cinematic texts” of St. Petersburg and Kiev in the films by Russian and Ukrainian directors, namely Lev
Kulidzhanov, Andrei Eshpaj, Alexander Sokurov, Andrei Khrzhanovsky, Ivan Dykhovichny, Alexei Balabanov, Sergei
Masloboyschikov, Alexander Shapiro et al.
To resolve some theoretical and historical problems of film art the author conceptualizes the notions related to
the representative urban cinematic text, which was not identified within the general notion of urban text previously.
The article reveals both the specificity of the St. Petersburg cinematic text and its heterogeneity. The notion of thanatochronotope
provides for analysing both the representative urban cinematic text and its decadent paradigm within
the frame of the film thanatology approaches that swiftly develops as a new philosophical and culturological method.
This approach is also used for Kiev cinematic text analysis and its comparison with the St. Petersburg cinematic text.
Key words: thanatology of motion picture art, ‘thanatochronotope’, representative urban cinematic text, sign
loci as codes of cinematic text, decadent paradigm of St. Petersburg cinematic text, death-bearing of a landscape,
metropolis mode, peak mode.
Discovering the New Cultural Reality: Benefits and Drawbacks of the Augmented Reality Technology (by
Tatiana Savitskaya) explores new modes of cultural production and consumption brought to life by introduction
of augmented reality (AR) technology. The special attention is paid to the famous Google Glass as a novelty of
Стр.144
AR-technology and to the problems of its social, medical and anthropological adaptation in particular. The author
also addresses the possible impact of the AR-technology mass dissemination.
Key words: augmented reality, cyberspace, interface, Google Glass.
Medieval Laughter Culture and the Anti-World of Russian Postmodernism (by Galina Litvintseva) provides
a comparative analysis of the comic world or antiworld in medieval and postmodern literary texts. The postmodern
and medieval parodies create seamy, inverted world that is free from the etiquette rules and propriety. Postmodern
writers and artists break the “classic” aesthetic canon that restricts freedom of creative expression and artistic
perception of the text as a self-sufficient one. Grotesque hyperrealism of Russian postmodernists is a revival of
burlesque travesty of medieval topography on a new level.
Key words: postmodern, medieval parodies, carnival, happening, performance, deconstruction, absurdity,
grotesque realism and hyperrealism.
The Semantics of Death Image in “Madrigals” Supercycle by George Crumb (by Vladislav Petrov) considers
a unique song cycle of the postmodern epoch – “Madrigals” by American composer George Crumb. The author
addresses the semantic meaning of Death image in particular and reveals parallels in its representations by the
composer and by Federico Garc a Lorca. It is argued that Crumb used particular phrases of the Spanish poet and
dramatist to create the original dramaturgy that deepened the tragic death imaging.
Key words: George Crumb, Federico Garc a Lorca, postmodernism, 20th century music, innovations, Death
images.
Original Song as an Art of Confidential Communication: To the Notion of Genre (by Leonid Belen’ky) is
devoted to the understudied aspects of Russian song performed by its author in Soviet times. The author addresses
the issues of genre typology, interrelations of notions genre and original song within the context of world song
culture, and the verbal genre theory by Mikhail Bakhtin. It is argued that the art of confidential communication
may be analysed as a special type of artistic creation.
Key words: Russian culture, song culture, genre typology, verbal genre, song performed by its author (bard song).
Henri Duponchel and the Birth of Romantic Theatrical Decor (by Olga Zhestkova) is devoted to Henri Duponchel,
the brightest personality in Romantic musical and theatrical art. Being an architect, stage and costume designer,
stage director and theatre manager of Acad mie Royale de Musique, he was the first who made Paris audience interested
in Medieval colours, which became an essential part of Romantic theatre setting. Duponchel’s work and his input
to development of the French grand opera are analysed within the Russian art criticism tradition for the first time.
Key words: Henri Duponchel, French opera, Acad mie Royale de Musique, theatre, mise en sc ne, theatrical
scenery, stage director, Romanticism.
There Was a Genius Loci (by Irina Gorbatova) is dedicated to the unique monument of Russian culture – Chertkov’s
House in Moscow and its Universal Russian Library. Today this urban mansion shares the fate of many memorial places
at risk of destruction in Russia. Meanwhile, this kind of historical and cultural heritage items may perfectly serve the
idea of patriotic education and national pride, which are greatly needed by the states in the context of globalisation.
Key words: cultural heritage, intelligentsia, Alexander Chertkov, libraries, cultural and educational societies,
public service, mecenat activities, education of public servants, “Znanie” All-Union Society.
Desuete Names in the Musical Culture History of the Russian Far East: The Khabarovsk Professional
Musical Education from the End of the 19th Century to the 1930s (by Valentina Koroleva) deals with the first
period of the musical education history in Khabarovsk, which is analysed within the frame of the general historical
and cultural processes in the Far East. Basing on the local archives documents, the author reconstructs the
life and activities of the Khabarovsk musical school founder Jadwiga Sventorzhezkaya, the alumna of the Paris
Conservatory who was born into the noble Polish family. The names of the Khabarovsk Musical College professors
Nikolsky and Shveinik persecuted in 1937 for political reasons are re-introduced to the regional culture history.
Key words: Far East of Russia, Khabarovsk, music, musical education, regional culture history.
Ananda Kentish Coomaraswamy: “The Indians Have Never Believed in Art for Art.. .” (by Polina Korotchikova)
analyses ideas of the famous indologist and orientalist, philosopher and art theorist whose works may be
regarded as an attempt of the East-West cultural dialogue. The article focuses on the Coomaraswamy’s concepts
that are most relevant and important today for both indologists and wider audiences. The main objective of the
paper is to introduce the core principles of Coomaraswamy’s methodology to contemporary discourse and to reveal
the specificity of his interpretations of the Oriental art and its features.
Стр.145
Key words: Ananda Kentish Coomaraswamy, Sri Lanka, Great Britain, United States, traditional society, art
theory, Eastern aesthetics, beauty, Indian art, symbol, sign, Rasa Theory, museum.
“I Believe in Seven-String Guitar”: On the Occasion of Yury Vizbor’s 80th birthday (by Nataliya Bogatyreva)
is dedicated to diverse artistic and creative work of this singer-songwriter, journalist, script writer and actor. The
author analyses Vizbor’s poetics and evolution of his creativity from his students’ songs and to philosophical lyrics
imbued with existential feelings and evaluates Vizbor’s contribution to Russian culture as that of a man of the sixties.
Key words: art song, Sixtiers, journalism, song-reportage, “Yunost” Radio Station, “Krugozor” magazine,
mountain climbing, cinema.
Cultural Theory of Education, Its Research Area and Tasks (by Olga Yanutsh) studies the problems of
cultural research in education as a new exploration area. The author substantiates necessity of elaborating the
fundamental education theory based on meta-methodological approach that might join the principles applied in
psychology, pedagogy, philosophy of education and cultural research. This theory is to focus on holistic analysis
of cultural policies and sociocultural practices of everyday life. This correlation is needed for building up the
efficient model of the general educational system development.
Key words: education philosophy, cultural research in education, personality-centred concept of education,
philosophical anthropology, sociocultural practices, state cultural policy.
Photography and Visual Comprehension: Key Notions and Research Issues (by Artyom Loginov) is devoted to
dividing key notions and notion pairs used in research of visual comprehension related to the photography specifics.
The article aims to elaborate conceptual instruments that may be used to analyse photographic images. The article also
covers in brief the aspects of analysing a role of the visual in the personal relation to actuality and photography reality.
Key words: photography, visual comprehension, vision, demonstration, evidence, visibility, visuality, transparence,
actuality, reality.
Karl Wirth’s Notebooks: The Musical-Instrument Maker and His World of Ideas (by Denis Lomtev) addresses
the work of German musical-instrument maker Karl Wirth (1800–1882) who lived in St. Petersburg. The research
is based on analysing Wirth’s sketchbooks and his grand pianos that are currently may be found in Russian museums.
Particular attention is given to the sketches that often provide even more insight into Wirth’s thoughts
and ideas than the accompanying texts.
Key words: musical-instrument building in Russia, Karl Wirth, Wirth’s sketchbooks.
Daniil Andreev’s Metaphysical Concept (by Anastasia Shulyndina) represents an attempt to analyse ideas of
this Russian writer and visionary as the whole system. The author argues that Andreev’s theory has significantly
contributed to the perception of the Russian metahistory and the inner spiritual life of a human. The article also
reveals a close consistency of Andreev’s worldview to the dialectical philosophical concepts (Vladimir Solovyov,
Nikolai Lossky, Semen Frank) and Christian mystical traditions (Imiaslavie).
Key words: Daniil Andreev, metahistory, Divine Principle, unified base of spiritual knowledge, spiritual experience,
“viruses of the mind,” development level.
Russian Church Schism and the Formation of “Two Russias” (by Kirill Tovbin) describes the course and nature
of Raskol (splitting of the Russian Orthodox Church in the 17th century). The author considers the effects of
the split on Old Believers, which led to the enforced adaptation of ideological modernism that combined with their
original traditionalism. While proceeding from participants of traditional spiritual movement to religious adepts, Old
Believers have developed their own ideology and negative identity (which are the main points of the modern type of
religiosity). Though Old Believers confronted Modernity both ideologically and mentally, they used veiled postmodern
mechanisms, which are actively run today for shaping stylistics and imitationalism of the postmodern spirituality.
Key words: Modern, Orthodoxy, Old Believers, new-riters, old-riters, Ancient Orthodoxy, Raskol, countersecularism,
ideology, fencing identity, traditionalism, modernism.
Transformations of the Resurrection Image in Russia (by Svetlana Ivanova) investigates the breach of
tradition in Easter iconography, which happened in 18th century Russia. The author examines a new type of iconography
that appeared in Russia at that time and reveals its clear linkage with the engravings of the Protestant
Piscator Bible and the series of illustrations to the Apostles’ Creed.
Key words: Resurrection iconography, Easter, Descent into Hell, Piscator Bible, “Theatrum Biblicum,” Apostles’
Creed.
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АВТОРЫ НОМЕРА
Беленький Леонид Петрович, заведующий сектором Библиотеки искусств им. А.П. Боголюбова,
исполнительный директор Союза деятелей авторской песни (Москва)
E-mail: blp2009@mail.ru
Богатырёва Наталья Юрьевна, кандидат филологических наук, доцент кафедры русской литературы и
журналистики XX—XXI веков Московского педагогического государственного университета
E-mail: nessi1995@mail.ru
Горбатова Ирина Иосифовна, ведущий научный сотрудник НИЦ Информкультура Российской
государственной библиотеки (Москва)
E-mail: LaptevaTI@rsl.ru
Гришин Михаил Владимирович, кандидат культурологии, старший научный сотрудник сектора социологии
искусства Государственного института искусствознания (Москва)
E-mail: grishin.mihail@yandex.ru
Дриккер Александр Самойлович, доктор культурологии, профессор кафедры музейного дела и охраны
памятников Института философии Санкт-Петербургского государственного университета
E-mail: asdrikker@mail.ru
Жесткова Ольга Владимировна, кандидат искусствоведения, доцент Казанской государственной
консерватории (академии) им. Н.Г. Жиганова
E-mail: Mon_ami_09@mail.ru
Иванова Светлана Валерьевна, кандидат искусствоведения, научный сотрудник Российского института
истории искусств (Москва)
E-mail: 0018@mail.ru
Кириллова Ольга Алексеевна, кандидат философских наук, доцент, докторант кафедры теории и истории
культуры Российского государственного педагогического университета им. А.И. Герцена (Санкт-Петербург)
E-mail: olga-kirillova@yandex.ru
Королёва Валентина Алексеевна, кандидат исторических наук, доцент, старший научный сотрудник
Института истории, археологии и этнографии народов Дальнего Востока Дальневосточного отделения
Российской академии наук (Владивосток)
E-mail: koroleva_val@mail.ru
Коротчикова Полина Викторовна, аспирант Государственного института искусствознания (Москва),
главный библиотекарь Отдела изоизданий Российской государственной библиотеки
E-mail: poldea3@yandex.ru
Литвинцева Галина Юрьевна, кандидат педагогических наук, доцент кафедры социально-культурной
деятельности Санкт-Петербургского государственного университета культуры и искусств
E-mail: galinalitvinceva@yandex.ru
Логинов Артём Алексеевич, аспирант кафедры стран постсоветского зарубежья Российского
государственного гуманитарного университета, преподаватель учебного центра «Арт-дизайн» и
Гуманитарного колледжа Российского государственного гуманитарного университета (Москва)
E-mail: thomas_loginov@mail.ru
Ломтев Денис Германович, кандидат искусствоведения, научный сотрудник Института немецкой
музыкальной культуры в Восточной Европе (Бонн)
E-mail: degelo@mail.ru
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РАЗДЕЛ 1. КОНТЕКСТ
Петров Владислав Олегович, кандидат искусствоведения, доцент кафедры теории и истории музыки
Астраханской государственной консерватории (академии), руководитель Астраханского отделения Гильдии
музыковедов Российской Федерации
E-mail: petrovagk@yandex.ru
Пучковская Антонина Алексеевна, аспирант кафедры культурологии Института философии СанктПетербургского
государственного университета
E-mail: artonina@gmail.com
Савицкая Татьяна Евгеньевна, ведущий научный сотрудник НИЦ Информкультура Российской
государственной библиотеки
E-mail: LaptevaTI@rsl.ru
Товбин Кирилл Михайлович, кандидат философских наук, доцент филиала Российского Нового
университета в г. Гагарин
E-mail: kimito@yandex.ru
Шеманов Алексей Юрьевич, доктор философских наук, ведущий научный сотрудник Института проблем
инклюзивного образования Московского городского психолого-педагогического университета
E-mail: ajshem@mail.ru
Шулындина Анастасия Борисовна, кандидат философских наук, ведущий сотрудник Нижегородской
государственной консерватории им. М.И. Глинки
Е-mail: shulindinaab@mail.ru
Янутш Ольга Александровна, кандидат культурологии, доцент и докторант кафедры теории и истории
культуры Российского государственного педагогического университета им. А.И. Герцена (Санкт-Петербург)
Е-mail: yanutsh@gmail.com
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