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Вестник Томского государственного университета. Культурология и искусствоведение

Вестник Томского государственного университета. Культурология и искусствоведение №2 2016

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ID332550
АннотацияНаучный журнал был выделен в самостоятельное периодическое издание из общенаучного журнала «Вестник Томского государственного университета» в 2011 году.
Вестник Томского государственного университета. Культурология и искусствоведение .— Томск : Национальный исследовательский Томский государственный университет .— 2016 .— №2 .— 208 с. : ил. — URL: https://rucont.ru/efd/332550 (дата обращения: 14.05.2024)

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Apology of cultural mission of the university. 28 Vodopiyanova E.V.ooperation between the EU and Russia in the sphere of culture . 37 Voropaeva A.G. Dynamics of ethnic identity Ukrainians in Molchanovsky District of Tomsk region in 1950–1970-ies (According to the household books) . 45 Zheravina O.A. University colleges of Salamanca in early modern times . 54 Kaminskaya E.A. Game approaches of traditional folklore as the basic condition of embodiment of its cultural meanings . 65 Kolokolnikov I.A. History of the development of music education of Irkutsk in the 1931–1941 . 75 Marбcz Lбszlу. <...> The relevance of languages and multilingual communication for Social Europe? . 83 Murashova N.S. On the question of historiography study of the Old believer’s spiritual verse. 98 Chaplya T.V. Communicative Properties of Architecture.114 Chemezova K.E. To the question about cult of St. Sunniva and its relationship with the stone Church architecture of Western Norway from the end of XI to the first half of XIV century.122 ART HISTORY Guseva Ye. <...> E-mail: tatyana.alekseevasergeeva@mail.ru, Natigor007@yandex.ru Tomsk State University Journal of Cultural Studies and Art History, 2016, (2) 22, . 5–20. <...> DOI:10.17223/22220836/22/1 SYMBOLISM AND THE AESTHETICS OF THE DЙCOR OF THE ALTAI NATIONAL COSTUME Key words: culture, symbolism, aesthetics, dйcor, Altai national dress. <...> The national dress is a universe model as well as unity of aesthetic taste and people’s ideals. <...> Therefore, the Altaian national dress can be treated as the specific artistic image that reflects aesthetic properties of nature and possesses certain aesthetic characteristics. <...> The mode of the Altaian national dress was formed under the influence of aesthetic sources that are revealed through the following clothing details: cut, silhouette, decoration, colour scheme, quality of execution and design. <...> E-mail: astahov_oleg@mail.ru Tomsk State University Journal of Cultural Studies and Art History, 2016, (2) 22, . 21– 27. <...> E-mail: ibrylina@yandex.ru, allaphil@mail.ru Tomsk State University Journal of Cultural Studies and Art History, 2016, (2) 22, . 28–36. <...> Teilhard de Chardin, P. (2002) Fenomen cheloveka [The phenomenon of Man]. <...> Vodopiyanova Elena V. Institute of Europe, Russian Academy of Sciences, Moscow University by named after S.U. Vitte (Moscow <...>
Вестник_Томского_государственного_университета._Культурология_и_искусствоведение_№2_2016.pdf
       Tomsk State University Journal of Cultural Studies and Art History  2016  77-44127  04  2011 .  2(22)
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  «  .  » . , , ; . , . , .   ; . ,  . , ., .  (); . , . . , , . .    ();   ,  , ,    «  .  » . , . , . , ., . . , , ; . , . , . . , . ; . , . . , . ; . , . , , . . ;. , . . , , . . ; . , . . , , . . ; . , . , ., . .  ;. , . . ; . , . . , , . . , ; . , ., . .  EDITORIAL COUNCIL P.L. Volk (Tomsk, Russia); D.V. Galkin (Tomsk, Russia); A.A. Sundieva (Moscow, Russia); O.L. Lavrik (Novosibirsk, Russia); Maracz Laszlo (Amsterdam, the Netherlands) EDITORIAL BOARD E.I. Chernyak (Tomsk, Russia) – Editor-in-Chief; K.A. Kuzoro (Tomsk, Russia) – Executive Editor; V.E. Budenkova (Tomsk, Russia); L.V. Bulgakova (Tomsk, Russia); N.A. Dolgikh (Tomsk, Russia); O.A. Zheravina (Tomsk, Russia); L.A. Korobeynikova (Tomsk, Russia); T.S. Korobeynikova (Tomsk, Russia); I.E. Maksimova (Tomsk, Russia); V.V. Sotnikov (Tomsk, Russia)
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 ,  ., .  ............................................................................................................................... 5 .   ................................................................................................................................ 21  .,  .    .  ............................. 28 . ......................... 37  .       1950–1970-. () .......................... 45 .  .............. 54  .     ......................................................................................................... 65 .  1931–1941 . ............................................................................................................................. 75 Marácz László. The relevance of languages and multilingual communication for Social Europe? ............................................................................................................................................... 83 .   ............................................................................................................................................ 98 . .....................................................114 . .  XI –  XIV . ..........................122  . «» .  ........................................................................................................................................129 ., . / ........................................................................................................................137  . ....................................148 .  (1926–1989 .):   ....................................................................................................................................158  .       :    ...................................................................................................................................164 ., .  «». .........................................172  .   ( ).............................................................................182 :  .  «»  .  ()............190 .  ....................................................................................198 .....................................................................................................206
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CONTENTS CULTUROLOGY, THE THEORY AND CULTURAL HISTORY Alekseeva T.P., Vinitskaya N.V. Symbolism and the aesthetics of the décor of the Altai national costume ................................................................................................................................... 5 Astakhov O.Yu. Ideas for subjective basis of symbolism in the early works of Valery Bryusov ................................................................................................................................................ 21 Brylina I.V., Kornienko A.A. The process of formation of enterprise university. Apology of cultural mission of the university............................................................................................... 28 Vodopiyanova E.V.ooperation between the EU and Russia in the sphere of culture ............... 37 Voropaeva A.G. Dynamics of ethnic identity Ukrainians in Molchanovsky District of Tomsk region in 1950–1970-ies (According to the household books) .................................................. 45 Zheravina O.A. University colleges of Salamanca in early modern times .................................. 54 Kaminskaya E.A. Game approaches of traditional folklore as the basic condition of embodiment of its cultural meanings ......................................................................................................... 65 Kolokolnikov I.A. History of the development of music education of Irkutsk in the 1931–1941 ............................................................................................................................................ 75 Marácz László. The relevance of languages and multilingual communication for Social Europe? ................................................................................................................................................ 83 Murashova N.S. On the question of historiography study of the Old believer’s spiritual verse...................................................................................................................................................... 98 Chaplya T.V. Communicative Properties of Architecture............................................................114 Chemezova K.E. To the question about cult of St. Sunniva and its relationship with the stone Church architecture of Western Norway from the end of XI to the first half of XIV century........................................................................................................................................................122 ART HISTORY Guseva Ye.S. Binary analysis-interpretation experience of "To Alina" piano piece by A. Pärt ...................................................................................................................................................129 Kosheleva O.M., Pendikova I.G. Semiotics of abstract / real in the Omsk artists’ works ..........137 CULTURAL HERITAGE Grebennikova T.G. Develop a network of children's museums in the Altai Territory ................148 Kotenko A.L. The Japanese museum thought of Showa (1926–1989): to the study of historiography............................................................................................................................................158 Kravtsova L.A. Natural Science Collections of the Institute of Coal, FRCCC of SD of AS, as a fundamental foundation of popularizing the coal science: issues of systematization and exhibiting ......................................................................................................................................164 Perehogev S.V., Shirko K.N. The integrated project "Siberians voluntary and involuntary." The experience of creating an open museum and exhibition space .............................................172 Polteva I.V. Music notes manuscripts in the heritage of composers (on the example of the museum’s collections of the Republic of Altai and the Altai Territory)................................................182 THE ROLE OF LIBRARIES IN CULTURE IN HISTORY AND MODERN TIMES Kruptseva O.V. Handwritten miscellany «Potpourri» as the baron’s A.S. Stroganov field of reading interests characteristic (following the Stroganov’s book collection in Tomsk)....................190 Medvedeva E.V. Classification biographies as one of the Biographics research methods in the context of library branch .............................................................................................................198 INFORMATIONS ABOUT THE AUTHORS..........................................................................206
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