Вестник Томского государственного университета. Культурология и искусствоведение №3 2017

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       Tomsk State University Journal of Cultural Studies and Art History  2017  77-44127  04  2011 . ,  )  82514  »  «,  »,   Web of Science Core Collection's Emerging Sources Citation Index  27

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  «  .  » . , ,  ; . , . ,  , . ,   ; . , . , ., .    (); . , . . , , . .  );  ,  , , ; . , . ,    (); . ,. , , . .    () EDITORIAL COUNCIL P.L. Volk (Tomsk, Russia); D.V. Galkin (Tomsk, Russia); A.A. Sundieva (Moscow, Russia); O.L. Lavrik (Novosibirsk, Russia); Maracz Laszlo (Amsterdam, the Netherlands), A.N. Bagashev (Tyumen, Russia); T.K. Shcheglova (Barnaul, Russia)   «  .  » . , . , . , ., . . , ; . , . , . . , . ; . , . . , . ,  ; . , . , , . . ; . , . . , , . . ; . , . , . . ,  ; . , . . , . , ; . , . . , , . . ,   . , ., . .  EDITORIAL BOARD E.I. Chernyak (Tomsk, Russia) – Editorin-Chief; K.A. Kuzoro (Tomsk, Russia) – Executive Editor; V.E. Budenkova (Tomsk, Russia); L.V. Bulgakova (Tomsk, Russia); O.A. Zheravina (Tomsk, Russia); L.A. Korobeynikova (Tomsk, Russia); I.E. Maksimova (Tomsk, Russia); E.N. Savelyeva (Tomsk, Russia); V.V. Sotnikov (Tomsk, Russia)

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 ,  .  :    () ....................................................... 7 . ............................................................................................ 15 . ................................................................................................. 26 .  – I . .......................................................................................................................................... 34 ., .-. . ................................................................................................................................. 44  .       .................................................................................................................... 57 . –  ............................................................................................................................................. 64  . (1860–1917 .) ........................ 78 ., .   ( «Museum») .............................. 87 . 1920-.: .......................................................................................................................................... 99 .   ................................................................................................118 .,  .   .................................................................127 :   .        () ........................................................................132  .      ) ...........................................................................147 :   .        XIX–XX .  ..................................................161  .  :    . , . .  / .  1920–1930-. ...................168  .    1930- .:   .........................................................................................182  .     :   VIII – I . ..................................................................................................192

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.A., ., .          (. ).................................207  .,  .,  .  ........................................................................................................................................220  .     : , ,  .............................................................................................229 ., .  .....................................................................................................243 ., . :  ......................251 ., ., . .............................................................................................263 ., .  «tumblr girls»:  ......................................................................................................................270 .....................................................................................................277

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CONTENTS CULTUROLOGY, THE THEORY AND CULTURAL HISTORY Vodopiyanova E.V. The policy of the countries of the old world in the fild of culture: a dialogue with the European Union (for example small European countries)...................................... 7 Gudkova T.V. Reflection of modernist architectural-artistic concepts in minimalist architecture .............................................................................................................................................. 15 Demirhan Suleyman The main conceptual approaches to the development of tolerance in intercultural environment.......................................................................................................... 26 Zhorov Yu.V. Genesis of virtual-informational architecture of the late XX – early XXI century .................................................................................................................................................. 34 Korobeynikova L.A., Zabulionite A.-K. I. Reinterpretation of values of modern culture........................................................................................................................................................ 44 Petrenko A.. Stylistic peculiarities of formation of the architectural appearance of Feodosia in the early twentieth century................................................................................................. 57 Chaplya T.V. Architectural space – a form of cultural and communicative space ...................... 64 CULTURAL HERITAGE Bagapova N.V. The artistical cast-iron of Kusa (1860–1917)...................................................... 78 Belogubova A.S., Sizova I.A. The history of introduction of information technologies in museum practice (based on the materials of the international magazine "Museum")........................ 87 Dontsova . The state protection of monuments in the 1920th: to history of studying ......................................................................................................................................................... 99 Zheravina . The salamanca school in a series of portraits of outstanding spaniards from Stroganov's book collection ..................................................................................................................119 Kolpashnikova Ju.S., Kolesnikova S.Yu. Source study aspect of the research of the collecting activity of Demidov dynasty.................................................................................................127 THE ROLE OF LIBRARIES IN CULTURE IN HISTORY AND MODERN TIMES Degtyareva A.I. Local history direction in social activity of rural libraries (on example of Tomsk region) ..................................................................................................................................132 Lyapkova A.A. Local history activity of the modern rural library (on the example of the works of the libraries of the districts of the Tomsk region).............................................................147 INTERDISCIPLINARY RESEARCH AND SUBJECT STUDY: CHALLENGES AND OPPORTUNITIES Fomin G.A. The European artistic traditions and Russian academic school at the turn of XIX–XX centuries ...........................................................................................................................161 Galeeva T.A. «Split» identity: Russian emigrant artists B. Grigoriev, S. Sudeikin and J. Graham in the USA in the 1920-s – 1930-s ......................................................................................168 Kudriavtseva I.V. Creativity of Victor Arnautoff in the 1930-s: Identity Formation of the American Artist...............................................................................................................................182 Alexeev E.P. Belonging to the world of fire work: artist on Ural plants in VIII – the beginning of I century .....................................................................................................................192

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Ansfervald A.A., Bundova C.S., Zhorov Yu.V. Reorganization of the information field of the cultural and historical city center through the use of modern means of design and computer technologies (in the Krasnoyarsk city) ..................................................................................206 Beloborodova D.G., Unagaeva N.A., Kukina I.V. Spatial and Architectural Heritage of Yeniseysk Town Fringe Belts in the Context of the Development of Cultural Tourism...................220 Koneva A.V. Identification strategies of modern French cinema: Tolerance, psychology, taste..............................................................................................................................................229 Savelieva E.N., Budenkova V.E. Movie-era collectivism as a mirror of national and cultural identity .....................................................................................................................................243 Sennikova V.V., Savelieva E.N. The character image of Russian and Soviet cinema: from socialist realism model to uncertainty of post-Soviet period ........................................................251 Giniyatova E.V., Vorozhishcheva O.M., Burova E.A. Self-identification of adolescents in the context of cultural adaptation.............................................................................................263 Teplyakova A.O., Lebedeva M.N. Subculture «tumblr girls»: inconsistencies of virtual identity ...........................................................................................................................................270 INFORMATIONS ABOUT THE AUTHORS..........................................................................277

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