Национальный цифровой ресурс Руконт - межотраслевая электронная библиотека (ЭБС) на базе технологии Контекстум (всего произведений: 634620)
Контекстум
.
Вестник Томского государственного университета. Культурология и искусствоведение

Вестник Томского государственного университета. Культурология и искусствоведение №1 2016

0   0
Страниц184
ID332549
АннотацияНаучный журнал был выделен в самостоятельное периодическое издание из общенаучного журнала «Вестник Томского государственного университета» в 2011 году.
Вестник Томского государственного университета. Культурология и искусствоведение .— Томск : Национальный исследовательский Томский государственный университет .— 2016 .— №1 .— 184 с. : ил. — URL: https://rucont.ru/efd/332549 (дата обращения: 20.04.2024)

Предпросмотр (выдержки из произведения)

V.Models of language policy in multiculturalism. 21 INTERDISCIPLINARY AND CASE STUDIES: CHALLENGES AND OPPORTUNITIES Budenkova V.E., Savelieva E.N. Identity as a topic of theoretical and methodological analysis: models and approaches . 31 Ryndina . thnic traditions in modern culture: i day of berezovka estonians. 45 Ivanova O.L. The image of the territory. <...> Signs of identity . 54 Petrenko V.V. Fashion identity at the intersection of dispositions of habitualization and aestheticization. 65 Shaidulina M.V. Cyberpunk in Japanese cinema: specific thematic interpretation, artistic and imaginative solutions. 74 ART HISTORY Bazhanov N.S. About the retrieval system in the texts of historical musicology. 83 Gonchikova M.T. Traditions of the Buryat folk music as the basis of formation of professional musical culture and education in Buryatia . 94 Gubaydullin F.F. Digital converting of the analog recording of selkupsky tool folk tunes . 99 Savitskaya T.E. A.P. Bogolyubov in Germany. <...> The first travel of the artist and collector .106 Chepelenko K.O. Self-reflection as the intention of composer's musicology .112 Shaposhnikov I.A. Relationship musical and literary poeticalness poem.118 CULTURAL HERITAGE Dontsova A.. <...> Establishing and activity of the Section of art monuments and antiquities protection in Tomsk province Board of Education.123 Kladova K. Jur. <...> Appearance of Kurgan citizens in the 1920’s-1930’s (based on photographic documents).133 Kretova S.A. The cultural and educational activity in museums of universities: foreign experience .148 Saveliev M.V., Polyakov Y. <...> N. The tradition of folk architecture in the architectural and artistic decoration of the entrance group of the Siberian city estate of XIX – early XX centuries .155 THE ROLE OF LIBRARIES IN CULTURE IN HISTORY AND MODERN TIMES Medvedeva E.V., Petlina A.Yu. <...> Social network markets : A new definition of the creative industries. <...> From the Consciousness Industry to Creative Industries : Consumer-created content, social network markets and the growth of knowledge. <...> E-mail: avbokova@gmail.com DOI: 10.17223/22220836/21/1 CREATIVE INDUSTRIES AS A COMPLEX NETWORKING Key words: reative industries, network structure, network, cultural policy. <...> We advert to the classical graph theory of L. Euler, and try to extend it on such creative industries as television, publishing, music industry. <...> Social networking markets of creative industries are considered in J. Hartley <...>
Вестник_Томского_государственного_университета._Культурология_и_искусствоведение_№1_2016.pdf
       Tomsk State University Journal of Cultural Studies and Art History  2016  1(21)  « ,   »   77-44127  04  2011 .
Стр.1
   .  » . , ,  ; . ,  . , .   ; . , . , ., .  (); . , . . , , . .    ();   ,  , ,    «  .  » . , . , . , ., . . , ,  ; . , . , . . , . ; . , . . ,  . ; . , . , , . . ;. , . . , , . . ; . , . . , , . . ; . , . , ., . . ; . , . . ; . , . . , , . . , ; . , ., . .   EDITORIAL COUNCIL P.L. Volk (Tomsk, Russia); D.V. Galkin (Tomsk, Russia); A.A. Sundieva (Moscow, Russia); O.L. Lavrik (Novosibirsk, Russia); Maracz Laszlo (Amsterdam, the Netherlands) EDITORIAL BOARD E.I. Chernyak (Tomsk, Russia) – Editor-inChief; K.A. Kuzoro (Tomsk, Russia) – Executive Editor; V.E. Budenkova (Tomsk, Russia); L.V. Bulgakova (Tomsk, Russia); N.A. Dolgikh (Tomsk, Russia); O.A. Zheravina (Tomsk, Russia); L.A. Korobeynikova (Tomsk, Russia); T.S. Korobeynikova (Tomsk, Russia); I.E. Maksimova (Tomsk, Russia); V.V. Sotnikov (Tomsk, Russia)
Стр.2
 ,  . .................... . (:   .,  .    :  ............................................................................................ 31 . :  ................................................................................................................................................................. 45 . .   ..................................................................... 54 .  ........................................................................................................................................................... 65 .    :    .................................................................................. 74  .  .............. 83 .         ................................. 94 .  ..................................................................................................................................... 99 . . :  ..........................................................................................................106 .  ........................112 .   .....................118   .           ...........................................................123 . 1920-1930-. () .................................................................................................................................................................133 .     :  ...................................................................................................................................................148  .,  .             XIX –  XX . ...........................................................................................................................................155 :  ., .    .......................................................................................................................171 ....................................................................................................................181 5 ) ........................................................................................................................................ 13 . ................................................. 21
Стр.3
CONTENTS CULTUROLOGY, THE THEORY AND CULTURAL HISTORY Bokova A.V. Creative industries as a complex networking...................................................................... 5 Vodopiyanova E.V. Dialogue of cultures in dialogue of sciences (on the example of the European research process)................................................................................................................................... 13 Naumov Ph.V.Models of language policy in multiculturalism............................................................... 21 INTERDISCIPLINARY AND CASE STUDIES: CHALLENGES AND OPPORTUNITIES Budenkova V.E., Savelieva E.N. Identity as a topic of theoretical and methodological analysis: models and approaches .......................................................................................................................... 31 Ryndina . thnic traditions in modern culture: i day of berezovka estonians............................ 45 Ivanova O.L. The image of the territory. Signs of identity ...................................................................... 54 Petrenko V.V. Fashion identity at the intersection of dispositions of habitualization and aestheticization....................................................................................................................................................... 65 Shaidulina M.V. Cyberpunk in Japanese cinema: specific thematic interpretation, artistic and imaginative solutions...................................................................................................................................... 74 ART HISTORY Bazhanov N.S. About the retrieval system in the texts of historical musicology.................................... 83 Gonchikova M.T. Traditions of the Buryat folk music as the basis of formation of professional musical culture and education in Buryatia .......... 94 Gubaydullin F.F. Digital converting of the analog recording of selkupsky tool folk tunes .................. 99 Savitskaya T.E. A.P. Bogolyubov in Germany. The first travel of the artist and collector ...................106 Chepelenko K.O. Self-reflection as the intention of composer's musicology ........................................112 Shaposhnikov I.A. Relationship musical and literary poeticalness poem...............................................118 CULTURAL HERITAGE Dontsova A.. Establishing and activity of the Section of art monuments and antiquities protection in Tomsk province Board of Education..............................................................................................123 Kladova K. Jur. Appearance of Kurgan citizens in the 1920’s-1930’s (based on photographic documents)................................................................................................................................................133 Kretova S.A. The cultural and educational activity in museums of universities: foreign experience .................................................................................................................................................................148 Saveliev M.V., Polyakov Y.N. The tradition of folk architecture in the architectural and artistic decoration of the entrance group of the Siberian city estate of XIX – early XX centuries .....................155 THE ROLE OF LIBRARIES IN CULTURE IN HISTORY AND MODERN TIMES Medvedeva E.V., Petlina A.Yu. The employee's portrait of Scientific Library of Tomsk State University......................................................................................................................................................171 INFORMATIONS ABOUT THE AUTHORS.......................................................................................181
Стр.4