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Петербургский исторический журнал  / №4 2016

Latvian Rifl emen’s Young Artists Circle Daile and its Members. Revision of the Current Interpretation (100,00 руб.)

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Первый авторKale Sniedze
Страниц17
ID553915
АннотацияWhen refl ecting upon the connection of early 20th century Latvians to Russia, the word «rifl emen» is brought up most often. The rifl emen frequently became mythologised characters, although, naturally, they were real persons, some of which — the so-called Red Rifl emen with their discipline and fi ghting spirit — helped the Bolsheviks retain power in Russia. Their achievements have been much written about and variously interpreted depending on the author’s political engagement. Regarding Latvian rifl emen-artists, the information that can be found both in the publications of the 1920–30s and today is related mainly to those who served among the rifl emen of independent Latvia. In Soviet Latvia meanwhile, starting from the mid-1950s, after the rehabilitation of the victims of totalitarian regime’s repressions, an interest arose in those Latvian artists who served in the regiments of the Red Rifl emen
УДК94(474.3)
Kale, S. Latvian Rifl emen’s Young Artists Circle Daile and its Members. Revision of the Current Interpretation / S. Kale // Петербургский исторический журнал .— 2016 .— №4 .— С. 143-159 .— URL: https://rucont.ru/efd/553915 (дата обращения: 12.05.2024)

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Saint-Petersburg Historical Journal N 4 (2016) УДК 94(474.3) Sniedze Kale Latvian Rifl emen’s Young Artists Circle Daile and its Members. <...> Revision of the Current Interpretation When refl ecting upon the connection of early 20th century Latvians to Russia, the word «rifl emen» is brought up most often. <...> The rifl emen frequently became mythologised characters, although, naturally, they were real persons, some of which — the so-called Red Rifl emen with their discipline and fi ghting spirit — helped the Bolsheviks retain power in Russia. <...> Their achievements have been much written about and variously interpreted depending on the author’s political engagement. <...> Regarding Latvian rifl emen-artists, the information that can be found both in the publications of the 1920–30s and today is related mainly to those who served among the rifl emen of independent Latvia. <...> In Soviet Latvia meanwhile, starting from the mid-1950s, after the rehabilitation of the victims of totalitarian regime’s repressions, an interest arose in those Latvian artists who served in the regiments of the Red Rifl emen. <...> Art historian and artist Arturs Eglītis (1907–1996) organised The Exhibition of Latvian Red Rifl emen-Artists’ Works in 1959 in the State Museum of Latvian and Russian Art in Riga (Latvian National Museum of Art), establishing the perception of these artists as fi ghters. <...> Evidently, this perception took hold, as it can be encountered in virtually every other publication, whose authors underline the combative aspect1 (Artist Fighter, With Palette and Rifl e). 1 Sk.: Sondoviča E. Mākslinieks no Kremļa pulka [V. Andersons] // Rīgas Balss. 1986. 12. apr. <...> N 85. 5. lpp.; Batura L. Ar šauteni un paleti // Rīgas Balss. 1988. 7. sept. N 206. 5. lpp., u. c. of these artists-rifl emen, which was also refl ected in the titles of the articles Петербургский исторический журнал № 4 (2016) 144 Latvian Rifl emen’s Young Artists Circle Daile and its Members Part of these then-praised rifl emen-artists were members of the Kremlin Studio or Latvian Rifl <...>

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