Имагология и компаративистика №1 2017

E-mail: Solovka-05@yandex.ru Keywords: Russian Empire, 18th century, Lomonosov, solemn ode, semantics of power. 24 . <...> The genre “solemn ode” demanded correlating events of modernity with great dates of the past and deeds of the ancestors. <...> The solemn ode were written for a certain date, associated either with military victories or major public holidays. “Praisful” odes were created for the “glorification” of the monarch, and acquired the status of a document fixing the power intention in society. <...> The first experience of Lomonosov’s “solemn” ode dates back to 1739. <...> Musorina, L.A. (2000) [Odes, III 30: Imitations of the thirtieth Ode of Horace in Russian literature]. <...> ITALIAN TEXT IN THE CRITICAL WORKS AND CORRESPONDENCE BY I.V. KIREYEVSKY Imagologiya i komparativistika – Imagology and Comparative Studies, 2017, 1(7), pp. 26–51. <...> Italian text occupies an important place in the works by the Lyubomudry, who started a new stage in the cultural dialogue between Russia and Europe. <...> These authors represented Italy as a real space and a cultural phenomenon (as in the stories by Pogodin and Pavlov, the journey notes and poetry by Shevyrev), a philosophic phenomenon (Odoevsky’s prose), a personal psychological experience (the works by Shevyrev, Venevitinov). <...> Italian text found an original interpretation in the works by I.V. Kireyevsky as well. <...> When young, he was a member of the Society of Lyubomudriye and supported the idea of the cultural dialogue between Russia and Europe. <...> However, his ideas about global and Russian development, the role of religion for the culture, and the laws of literary process form a unifying vision. <...> The first is found in “Something on the character of Pushkin’s poetry”, “About Russian women writers”, .  51 “About the language of Yazykov”, etc., where Kireyevsky discusses contacts between Russian and Italian literature and describes the worldview in Italian art, or dwells on the destiny of princess Z. Volkonskaya – a writer and the Lyubomudry’ “muse”, whose emigration had a great influence on their works. <...> He renounces the ideas of cultural dialogue between Russia and Europe. <...> Dolgushin, D.V. (2009) V.A. Zhukovskiy i I.V. Kireevskiy: Iz istorii religioznykh iskaniy russkogo romantizma [V.A. Zhukovsky and I.V. Kireyevsky: From the History of Religious Pursuits of Russian Romanticism]. <...> The paper is prepared within Project IUT 34-30 “Ideology of Translation <...>