ИСКУССТВО. ДЕКОРАТИВНО-ПРИКЛАДНОЕ ИСКУССТВО. ФОТОГРАФИЯ. МУЗЫКА. ИГРЫ. СПОРТ

Книга Айдына Рахимбаева о том, как за 20 месяцев непрофессиональный спортсмен стал финишером чемпионата мира Ironman в гавайской Коне и впервые поднял на Гавайях флаг Казахстана. Что это значит для триатлета? Это все равно что получить профессионалу путевку на Олимпиаду. Автор в легкой, увлекательной форме повествует о своей удивительной истории, в ходе которой подвергается глубокой трансформации как спортсмен, бизнесмен и человек. Главное, утверждает он, не медали и «железный» статус, а то, каким ты становишься на пути к нему. Книга предназначена для широкого круга читателей и содержит ценные советы по подготовке к гонке Ironman и марафонским дистанциям.

The Textbook was prepared in accordance with the Federal State Educational Standard for Higher Education as applied to specialisation 40.03.01 «Jurisprudence» (Bachelor (degree) qualification) and the syllabus of the academic discipline «International Sports Law», approved by the International Law Department of the Kutafin Moscow State Law University in January 2017. The Textbook consists of 17 chapters. They correspond to the themes of the syllabus of the academic discipline. In its General part, the history, object, subjects, sources, special principles of international sports law, the process of regulation of international sports relations at the universal level within the framework of the United Nations, its specialised agencies and programs, at the regional level within the Council of Europe and the European Union, at the bilateral level are considered. The Author makes a corresponding distinction with the object, subjects, sources, special principles of lex sportiva, a set of corporate norms elaborated by the International Olympic Committee, the International Paralympic Committee, international and national sports federations. Special attention is paid to the study of ways of resolving sports disputes through arbitration and appeal proceedings in the Court of Arbitration for Sport (CAS), by means of judicial proceedings in the European Court of Human Rights (ECtHR) and the Court of Justice of the European Union (CJEU). The Special Part of the Textbook identifies problem areas that require additional efforts to implement international legal and corporate regulations: the use of doping in sport, violence and hooligan behaviour of spectators and fans, environmental protection when organising international sports competitions, economic crimes and discrimination in international sports, protection of property rights with regard to television and radio broadcasts of international sports competitions, the use of Olympic symbols, countering threats to a healthy lifestyle. International instruments and acts of the Russian legislation are as of May 2018.

Цель данного пособия – подготовить студентов и магистрантов к самостоятельному чтению аутентичной литературы по адаптивному физическому воспитанию и реабилитации, а также сформировать навыки устной и письменной речи на иностранном языке в пределах изучаемых тем. Пособие построено на принципах сознательно-коммуникативного метода обучения иностранному языку и разработано в соответствии с государственным образовательным стандартом высшего профессионального образования третьего поколения и программными требованиями дисциплины «Иностранный язык».

This article discusses the speciёc features of the instrumental theatre, which organically penetrates into the opera-monodrama genre, given the example of “Nevermore!” opera-monodrama by the contemporary Russian composer Yuri Kasparov. Such synthesis is of a special research interest while it is a unique phenomenon in the musical culture and outlines new ways of modern musical theatre development. Due to the mutual enrichment of genres within the work, the boundary between a soloist and instrumentalists is erased. Therefore, instrumentalists face a completely new challenge: they become the characters of the stage action. Their actions play a signiёcant role in the drama action of the whole play. However, some of the instruments are involved in the play as decorations. Using them in such a way is symbolic, the meaning of this technique is disclosed in this work.